Misericordia

The teasingly entwined ambiguities of love and death continue to fascinate Alain Guiraudie (Stranger by the Lake), who returns with a sharp, sinister, yet slyly funny thriller.

Set in an autumnal, woodsy village in his native region of Occitanie, Guiraudie's latest follows the meandering exploits of Jérémie, an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kindhearted widow and venomously angry son, while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest.

In Guiraudie’s quietly carnal world, violence and eroticism explode with little anticipation, and criminal behavior can seem like a natural extension of physical desire. The French director is at the top of his game in MISERICORDIA, again upending all genre expectations.